Australian dark-electronics auteur Buzz Kull has returned with Deep Hate, a new EP release that pushes his shadow-drenched sound into sharper, more combustible territory. Long hailed as one of the most distinctive voices in the dark electronic underground, Marc Dwyer has spent more than a decade refining a hybrid of darkwave, minimal synth, and industrial body music that feels both… Read more →
Experience a monumental night of music history in THE CURE: THE SHOW OF A LOST WORLD, bringing the Rock & Roll Hall of Famers’ 31-song set to the big screen. Directed by Grammy nominee Nick Wickham, the film immerses viewers in the band’s electrifying performance at London’s Troxy, captured on the very evening SONGS OF A LOST WORLD debuted. It… Read more →
Pleasure Loss Desire plunges headfirst into the void where ecstasy and absence collapse into one another. In a world that no longer reflects who we thought we were, detachment becomes less an act of rebellion and more a means of survival—a fragile armor against the ache of existence. What begins as refuge gradually curdles into confinement, as numbness transforms from… Read more →
In Cataclysm, Zanias delivers a striking manifesto for personal and political transformation — a decade’s-end reflection that doubles as a call to arms. Written and produced between 2020 and 2024, the ten-track album unfolds like a sonic pilgrimage through the ruins of modernity, each song a distinct world unto itself. Drawing threads from coldwave, italo disco, witchhouse, trance, hyperpop, breakbeats,… Read more →
Born from the concrete sprawl and creative resistance of early ’80s Edinburgh—a city then strapped for cash but bursting at the seams with artistic urgency—FINI TRIBE return to the fold with The Sheer Action of Fini Tribe: 1982–1987, a thunderous retrospective via Shipwrecked Industries that pulls no punches. Previewed by the jagged pulse of “I Want More” and the wiry… Read more →
Vandal Moon releases new track “HIGH SCHOOL SUCKS (SO KISS ME)” The latest single from their upcoming album DIE HAPPY, “HIGH SCHOOL SUCKS (SO KISS ME)” is a raw, unapologetic ode to teenage angst, outsider identity, and the bittersweet chaos of youth. With a pulsing beat and a sneer that’s equal parts heartbreak and defiance, and backing vocals by Sister… Read more →
Chameleons Return with “Arctic Moon”—A Bold New Chapter 24 Years in the Making In a career that has spanned decades, Chameleons—Manchester’s revered post-punk architects—are back with Arctic Moon, their first full-length studio album in 24 years. This highly anticipated release marks a fresh chapter for the band, not only due to the extended gap between albums but also because it… Read more →
Molchat Doma’s latest release, Belaya Polosa Remixed, offers an electrifying new dimension to their already celebrated album, Belaya Polosa. This EP takes the raw, atmospheric energy of the original tracks and twists them into something even more urgent and visceral, thanks to high-octane remixes from an impressive lineup of genre-defying artists. The likes of The Crystal Method & Future Funk… Read more →
Fini Tribe Revisit Their Trailblazing Roots with Expansive Anthology ‘The Sheer Action of Fini Tribe: 1982–1987’ Long revered as one of Scotland’s most fearless sonic outliers of the 1980s, Fini Tribe are finally getting the retrospective treatment they deserve. The band has announced The Sheer Action of Fini Tribe: 1982–1987—a definitive anthology that dives deep into the Edinburgh collective’s most… Read more →
Los Angeles-based trio Nuovo Testamento—made up of vocalist Chelsey Crowley, drummer Giacomo Zatti, and synth wizard Andrea Mantione—has spent recent years igniting dance floors around the globe with their infectious fusion of moody Italo-disco and shimmering synth-pop. Imagine your favorite retro synth anthems reimagined through a sleek, contemporary lens—hook-heavy, emotionally resonant, and impossible to forget. Today marks the release of… Read more →
